Poem : Topography.

I remember the first time poetry really moved me.

Of course, I already owned the words of Dickinson and Dunn, thinking of them as a vague echo of my experience. But.

Until this moment, I knew nothing of poetry. Not the way it sounded on a tongue or the way it silenced a crowd of college kids, nor the way it opened me and my pages to not just words, but feeling.

It was early spring, my freshman year. Linford Detweiler played a lovely, quiet, sparsely attended piano concert in the chapel, lights dimmed, stage bare. He paused between songs to read poems, tell stories, charm the crowd.

He closed with this poem, Topography by Sharon Olds.

He fingered the piano keys, tossed his music pages to the floor and read the words. And I sat there in silence for minutes afterward, thinking… Oh. That’s what it’s for.

Topography
by Sharon Olds

After we flew across the country we
got in bed, laid our bodies
delicately together, like maps laid
face to face, East to West, my
San Francisco against your New York, your
Fire Island against my Sonoma, my
New Orleans deep in your Texas, your Idaho
bright on my Great Lakes, my Kansas
burning against your Kansas, your Kansas
burning against my Kansas, your Eastern
Standard Time pressing into my
Pacific Time, my Mountain Time
beating against your Central Time, your
sun rising swiftly from the right my
sun rising swiftly from the left your
moon rising slowly from the left my
moon rising slowly from the right until
all four bodies of the sky
burn above us, sealing us together,
all our cities twin cities,
all our states united, one
nation, indivisible, with liberty and justice for all.

Autumn Abandon.

“All the trees are losing their leaves, and not one of them is worried.”
– Donald Miller

They stand, half naked with skirts of vibrant orange, bright yellow branches reaching like hands outstretched to a gray sky.

They are exuberant in the losing, brilliant with abandon, and I am both awestruck and jealous.

His use of the word whiny actually made me smile, even though (and maybe because) it was about my writing.

Criticism is what I crave right now. I need someone to correct my grammar, to straighten my crooked reasoning, to remind me not to be too precious with my posts.

What a relief it is to hear someone say, you can do better.

I want to paint like the branches, bursting in cadmium, crimson, cabernet. Iron oxide, ocher, olive, emerald.

I want to shed my words like those leaves, unafraid of what I am losing, so to let my soil mature for spring. The right words will come back to me later, when I’ve grown up a little.

We are most vivid when we’re willing to let go of our laurels.

Etsy and the Problem with Pink.

I love the month of October for a lot of reasons, but it’s also a month that I dread every year. While the leaves are vivid with color, retail stores everywhere are awash with pink, because it is “breast cancer awareness month.”

Most of you reading this know that I lost my mother to metastatic breast cancer in January, so it’s not my disregard for breast cancer awareness that bothers me about the pink ribbon. The reason I am so sick of the pink ribbon is because in my experience, the pink ribbon does more for the person that purchases it than those affected by the disease.

Nowhere is the problem with “pinkwashing” more evident than with Etsy and their “Tickled Pink” email and subsequent corporate cop-out.

Two weeks ago, Nicole Smith, a member of Etsy’s marketing team, curated an email full of sellers’ items clad in the ubiquitous pink “breast cancer awareness” ribbons. Though I have my qualms with the pink ribbon for all it does and does not represent, the email seems innocent enough until you click through each of the listings. Only 8 out 24 items listed in the “Tickled Pink” email actually claim to donate to the cause they tout, yet Nicole’s email encourages Etsy users to purchase the pieces as a way to “show love to the women in your life.”

In short, these Etsy sellers have happily capitalized on a sensitive issue, thoughtlessly tacking pink ribbons onto their products without supporting the cause itself. Etsy’s celebratory endorsement of the sellers’ deplorable opportunism only adds insult to injury. Since Etsy earns money from each item sold on their site, both they and their sellers are profiting from others’ pain, and from their consumers’ ignorance, because let’s face it – not everyone is going to read the fine print to make sure their purchase donates to the cause.

And herein lies the issue with pinkwashing, as Etsy has so finely exemplified for us :

When there is no charitable action behind the product – on the part of the seller or the buyer – it turns breast cancer awareness into a trendy parade of pink shit, making breast cancer awareness about the appearance of generosity, rather than actively making a difference in the lives of those in need. It gives consumers buying bags of pretzels and footballsand tennis-shoes – or in this case, mugs and iPhone covers – the feeling of having been generous, without their actually having to do anything.

But as Hila so aptly states,

“Consumerism is not ‘awareness’ about cancer; it’s consumerism. Let’s not pretend otherwise.”

That realization alone is enough to make blood boil, but then there is Etsy’s dismissive and impersonal response to the criticism over their “breast cancer awareness” marketing tactics. For examples, see Nicole Smith’s tweet to AcaciaMary Andrew’s forum response and quote for the Daily Dot. As if those responses weren’t bad enough, there’s Marie Kelly’s response to my forum inquiry, which makes it sound like I’m just another Negative Nancy trolling the internet. And then there’s Nicole Smith’s reply to my private message on Etsy, which although I can’t reveal its contents due to Etsy’s site policy, was nearly verbatim what Mary Andrews published publicly, with zero acknowledgement of my personal story as a daughter of a breast cancer patient or as an Etsy seller that actually donated a portion of my profits to my mother.

Etsy has had ample opportunity to express solidarity with those who have been directly effected by breast cancer and hold themselves accountable to their brand as a “community of artists, creators, collectors, thinkers and doers,” but instead, they have chosen to make excuses for themselves and label criticism as “negative reference to other sellers,” as if voicing our frustrations and concern equates to hate speech.

This, ultimately, is why I have lost faith in Etsy’s brand, and it is the reason why I am choosing to close my Etsy shop :

They have made it clear that my voice doesn’t matter, nor do Acacia, or Jane, or Hila, or anyone else that is disturbed by their actions.

I’m not just upset by their ignorant and insensitive attempt at marketing to those affected by breast cancer. I am angered by their continued disregard of the voices in their community asking them to be accountable for their actions.

Nothing says corporate cop-out like a deliberate blind eye to someone else’s pain.

I’ll finish this post by saying that Etsy and other corporations like them are only partially at fault. As consumers we have to acknowledge our responsibility in this issue by being active in our charitable efforts. The pink ribbon on your bumper, Facebook profile picture, sweater, cereal box, means absolutely nothing if you are not reaching out to the people around you.

True generosity is radically active.

It is not fluffy or pink or cutesy or marketable. It is not the over-sexualized saving of second base. It is not the color of your bra in a cryptic Facebook status. It is tangible, it is personal, it is scary, it is unnerving. It is ugly-crying on the couch with your friend as she (or he!) discusses their diagnosis.

If you know someone battling breast cancer, or any other terminal illness for that matter, then reach out. Make them a meal, run a marathon for them, hold a benefit for them, send them a card, cry with them, promise to care for their families when they are gone. THAT is how you support a breast cancer patient.

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Poem : Penumbra.

I think now to the velvet coatthe mug, to the snowflake-small diamond stud in my ear, to the prized Michael Khors dress that somehow magically fit me that you never got to wear, though we oo-ed over it when Lisa dropped it by. I think to the tiny paper and tin music box I bought you as a gift in Austria that plays, “The Sound of Music,” to the worn VHS of that film, which we watched every Saturday, a ritual we held even unto the two days before you passed.

These things, they mean nothing and everything to me at the same time.

Penumbra
By Amy Lowell

As I sit here in the quiet Summer night,
Suddenly, from the distant road, there comes
The grind and rush of an electric car.
And, from still farther off,
An engine puffs sharply,
Followed by the drawn-out shunting scrape of a freight train.
These are the sounds that men make
In the long business of living.
They will always make such sounds,
Years after I am dead and cannot hear them.

Sitting here in the Summer night,
I think of my death.
What will it be like for you then?
You will see my chair
With its bright chintz covering
Standing in the afternoon sunshine,
As now.
You will see my narrow table
At which I have written so many hours.
My dogs will push their noses into your hand,
And ask—ask—
Clinging to you with puzzled eyes.

The old house will still be here,
The old house which has known me since the beginning.
The walls which have watched me while I played:
Soldiers, marbles, paper-dolls,
Which have protected me and my books.
The front-door will gaze down among the old trees
Where, as a child, I hunted ghosts and Indians;
It will look out on the wide gravel sweep
Where I rolled my hoop,
And at the rhododendron bushes
Where I caught black-spotted butterflies.

The old house will guard you,
As I have done.
Its walls and rooms will hold you,
And I shall whisper my thoughts and fancies
As always,
From the pages of my books.

You will sit here, some quiet Summer night,
Listening to the puffing trains,
But you will not be lonely,
For these things are a part of me.
And my love will go on speaking to you
Through the chairs, and the tables, and the pictures,
As it does now through my voice,
And the quick, necessary touch of my hand.

I decided to tackle my overflowing library, starting with Woodlief’s Somewhere More Holy. I found Penumbra in its opening pages. I have a feeling it’s what I need most to read right now.

Have you read any good poems lately? 

On My Bookshelf.

My library is bursting at the seams with new reads. It started with Story Conference. They gave us one free book after another from all the presenters who have been published recently – Makoto Fujimura’s refractions, Rachel Held Evans’ A Year of Biblical Womanhood, and Inciting Incidents, curated by Sarah Cunningham. I’ve been reading chapters of each of those here and there. Then Lore decided to send me two of her favorites – Lauren Winner’s Mudhouse Sabbath and Tony Woodlief’s Somewhere More Holy. And then, when I was supposed to be picking up mushrooms and wine for risotto the other night and I wandered into another part of the store, thinking about how to spend my birthday money, J.K. Rowling’s new book, The Casual Vacancy, leapt out at me, and I knew I had to take it home. So now I have nearly a dozen new books to read. My only problem is that I want to read them all at once, and don’t know where to start. It’s a good problem to have, I think.

What’s on your shelf right now? Have you read any of these yet?

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